Tuesday 30 September 2014

Gender in TV Drama


Gender in TV Drama

Stereotype of Women:

TV dramas are always thought to be a female-viewer-attracted industry, especially for soap operas. However, the same as other types of television programs, TV dramas represent and reinforce the majority’s ideology of modern western culture. The role of a female character is to make the male characters appear more important to the series.
 
It is also interesting to see how female character’s professional achievements correlate with their physical appearance. In the so-called nerdy sitcom the Big Bang Theory, the only scientific illiteracy main character is a beautiful blonde named Penny. On the contrary, another minor female role is Leslie, who is also a highly educated scientist, and is portrayed as not attractive at all. This stereotype is used in TV dramas to express that the highly intelligent women are represented as inferior whereas the more sexualised, and typically blonde, characters are considered to have a more important role in the drama.
 
Another example is the show about advertising industry. Betty, a full-time housewife is shown as an elegant blonde (blonde again!) with a nice figure; Peggy, an ambitious secretary who later becomes a copywriter, is much less attractive. Both characters are from The Mad Men.

 

Here draws the conclusion that female characters in TV dramas are either represented as pretty or intelligent; successful either in family life or workplace—there is hardly any way to accomplish both.

 
Female characters’ professional lives are usually ignored, or more often, they are portrayed as housewives who takes care of children and family chores every day, but not ambitious at all in building a career. Even if women do work, they are often shown on TV in traditional feminine jobs such as teachers, secretaries and nurses, which kind of professions all require patience, carefulness, warm-heartedness. For the relatively small amount of women who try to further their professional lives, in which they do fail a majority of the time For example Samantha from EastEnders left her husband to pursue a career in modelling, but was unsuccessful.
In this way, female characters are often punished for pursuing their own careers at the expense of their boyfriends or husbands. Of course there are also women in power in TV dramas, though the number is limited. However, these professional successful women are less favoured than housewives; furthermore, women in power are usually portrayed to be villainous, which indicates the discouragement of being such type of female.

 
Stereotype of Men:

The first stereotype of men is that they should appear to be strong and powerful, mentally and physically. Males appear to be the elements that are the face of TV drama as they are seen as an important role due to their abilities.
An example of a strong male character is The Doctor from Doctor Who. His character is presented as strong due to his vast knowledge of planets, strategies and monsters to face up against. Although he cannot resist travelling with a female companion. This makes his character seem more important as he has an inferior with him which makes him the superior.
 

Whereas a countertype to this is Ian Beale from EastEnders. This is because his character can be perceived as weak due to his vulnerability due to recent narratives and can easily be manipulated by other characters.


 
Another stereotype is that men are obsessed with sex. This can be interpreted due to immaturity of a small majority of the male population. This stereotype begins with the idea that teenagers become sex crazed and become obsessed. Whereas when they age, this craze is not so effective.


An example of a sex crazed character is Jay from The Inbetweeners. The character always talks fantasy with his group of friends that he has do sexual things with other people that just simply are not true. Eventually, his act becomes transparent and his friends do not take an interest in what he has to say a majority of the time.


The countertype to this is Sheldon Cooper of the Big Bang Theory. Who has no interest in sexual actions or sexual intercourse. This character prefers to focus on his scientific career. Additionally, if he was ready to reproduce with a companion, it will be accomplished clinically and not amorous and widely.


 

 

How Gender is Represented Through the 4 Areas of Textual Analysis

 



Camera shots/angles/movements:

Establishing/long shot – This shot can be perceived as an establishing shot as the scene is set and the characters are clearly visible. But it is also a long shot as the audience have a closer insight into the details of the clothing worn, the way in which the characters behave and details of the expressions from the characters. The characters appear to be dressed appropriately for their age considering that a stereotyped teenager is dressed up in hoodies and tracksuit bottoms.
 
Close-up – This shot captures even more detail of the character’s facial expressions. This allows the audience to interpret whether the character is intelligent or not. In this case, the audience can perceive Neil’s character as unintelligent because of his wide eyes, blank facial expression and parted mouth.  
 
Two shot – The following shot is a two shot which shows the interaction between the two characters in a scene. This scene shows Neil and Jay conversing before conversing with Simon and Will. Jay’s attitude towards sexual activity is strong as in this scene he desperate to go to a club and get some ‘clung’.
 
Panning – The next scene shows a panning movement which allows the audience to understand the surroundings as the camera pans to the right. In this case, the bus stop is being panned so the audience can see the details of the bus stop as well as the reaction from Jay’s speech.
 
 Editing:
Cross-cutting – This transition is used when there is a conversation between characters in a scene. This I used in this scene to ensure that the following scene begins immediately without any details being lost. The quick reactions of the transitions allow the audience to capture the expressions of all the characters in the scene.
Sound:
Upbeat music – This music begins when the characters are just about to pass the bus stop. This creates a feeling that an action is going to happen in which was calling the people ‘bus wankers’. Which then ends once the characters have passed. This creates a sense that the audience have realised that what Jay did was wrong and will have consequences. Which in this case was being threatened by two men from the bus stop.
The same track begins once again one the boys try to escape but fail. This creates another uplifting moment for the audience as they can interpret that the characters could escape but unfortunately do not. This is a comical moment for the audience as they realise that an uplifting and exhilarating opportunity has been open to the characters but does not become reality as they become boxed in. Once again, the music concludes when the characters realise that there is nowhere else to go.  
 
Mise-en-Scene:
Clothing – The main characters in the car are not wearing stereotypical teenage clothing of hoodies and tracksuit bottoms. Instead they are dressed up appropriately like adults. Furthermore, the people at the bus stop are wearing thick coats and scarfs which could indicate that the scene is set around winter time when the temperature becomes chillier.
Lighting – The scene clearly shows that it is at night, around 10pm. However the street is lit up with street lights and shops to create a brighter mood to a darkened city.
 
How Gender is Represented with the Other 6 Areas or Representation
Age – The representation of character’s depend on their age. For example, teenage boys are obsessed with sex, get drunk a lot and can be law abiding. Compared to teenage girls who obsess about their physical appearance, talk about boys and hang out with friends. However, when they turn into adults, the males are portrayed as strong, powerful and intelligent, whereas adult women can be portrayed as domestic, vulnerable and unintelligent.
Ethnicity – Both genders can have different ethnicity. Stereotypically, coloured people prefer to speak quickly with slang language compared to white people who do not. TV dramas tend to use characters of different ethnicities to prevent ethnical inequality.
Sexuality – Gender does not particularly impact sexuality as in modern society as genders can be attracted to the opposite gender or the same gender. In some TV dramas, there are at least one homosexual couple to ensure that any homosexual viewers can compare to the characters. The effects of these are either positive, negative or neutral.
Class and Status – In the media, it is portrayed that men support women to keep a balance and live a healthy lifestyle. Men are represented as being higher class citizens due to stereotyping and can generate a suitable income to provide for a family. Lower class characters commonly resemble single mothers, who struggle to provide for their families. Thus showing that women are of lower class than men in the media.
Physical Ability/ Disability – Out of the two genders, men are viewed as more able than women in the media. Stereotypically, since men are considered to be stronger, it is unlikely for them to be disabled. Becoming disabled in the media can be caused due to simple tasks, but become over exaggerated leaving a character disabled.
Regional Identity – Since men are considered to be upper class they are more likely to speak in the certain accent related to the area living in or speak posh to show high authority. Whereas women tend to be judged by the way in which they speak by society as to some people it may not seem natural compared to the male’s speech.
 
 
 

 
 

 

 

 

Monday 29 September 2014

Beyoncé 1+1 - Male Gaze Analysis


Beyoncé 1+1 song analysis






Throughout the music video, BeyoncĂ©’s character is presented as a subject that contradicts the aspects of Laura Mulvey’s ‘Male Gaze’ theory. These include the character acting flirtatious, erotic and possessed by a dominant figure. These aspects are all linked to and revolve around sexual encounters and intimacy.

The beginning of the clip begins with a black screen which creates a slow and intimate atmosphere with support of the slow tempo of the music. At 10 seconds of the clip, BeyoncĂ© is presented to the audience in a close up and is captured as an erotic figure, moving slowly and covered in water which can be used to represent sweat. This refers to the idea of sexual intimacy in which her character looks like she has finished her sexual encounter with another male figure. Throughout the video, her lips remained parted which Marjorie Ferguson’s theory of male gaze facial expressions to continue with the sexual theme.

At 44 seconds, Beyoncé tilts her head backwards, closes her eyes with her lips still parted. This suggests that she is thinking of a reality that may not possibly happen. Her facial expressions when she tilts her head suggest this.

 
A few seconds later, Beyoncé is captured in another close up caressing herself to make her look vulnerable and inferior. She is wearing little or nothing at all which implies that her character is prepared to receive sex.

After this, a waterfall special effect is included to create an erotic sexual encounter. This scene opens with a fade-in transition and concludes with a fade-out transition. This extreme close-up shot is supported with slow movements to again refer to the erotic atmosphere.

At one minute, a mid shot is included which now gives the audience an insight into her clothing. Her clothing appears to be a thin night garment that promotes the male gaze theory that women are portrayed to be admired for their appearance. In which Beyoncé is presented to be a character that expresses sexiness. This scene is followed by her taking off her garment. This scene is repeated three times which is due to editing to an erotic sensation.

Following this is in which BeyoncĂ© is wearing no clothes but continues the theme of sex by stroking herself, tilting her head back with her eyes closed. At this point, her lyrics say “Make love to me” which suggests vulnerability of her character. The glittery special effect adds to the sexual theme.

At 1:26, the audience can see a change in the background. This change is from a calm, erotic atmosphere to and creates colourful lively atmosphere. This suggests an advancement in sexual activity. Again her character is stroking herself to increase the intimacy between the character and the audience. She repeats the lyric “Make love to me” to further support the idea of her vulnerability. Her lips continue to be parted with her eyes firmly closed.

At 2:12, a long shot of BeyoncĂ© is displayed wearing leopard print clothing and stockings. The specific types of clothing are resembled with sexiness and are admirable.  Her composition as well as her clothing place emphasis on her to draw in the audience.

At 2:42, a first faint glimpse of a male figure appears, holding BeyoncĂ©. This refers to Laura Mulvey’s male gaze theory of men becoming dominant over women and possess them. So in the clip, the male can be interpreted as possessing BeyoncĂ©. This figure is an element of mystery but can be interpreted as the character’s lover. Later she them tilts and rolls her head around the male figure with her eyes closed to create the intimate atmosphere once again.  

Just after three minutes, Beyoncé is viewed in what looks like to be in a sexual position with the mysterious male figure. These actions can be associated with sexual activity and intimacy. The effects begin to speed up which indicate an uplifting change in tempo and activity of the two characters.


Next follows an extreme close up that captures details of the region of her eyes. This could indicate that she is waking up into reality and was possibly dreaming about something that was not in fact reality. This being the sexual encounter. This shot reinforces the possibility of her character living in a fantasy.

Sunday 28 September 2014

Trevor Millum - Male Facial Expressions

Trevor Millum - Male Facial Expressions
Trevor Millum (1975) identified male facial expressions:

  1. Carefree: nymph-like, active, healthy, gay, vibrant, outdoor guy, often smiling or grinning
  2. Practical: concentrating, engaged on the business in hand, mouth closed, eyes object-directed, sometimes a slight frown, hair often short
  3. Seductive: similar to the cool/level look (indifferent, self-sufficient, aloof, confident, lips slightly parted, usually looking the reader in the eye), eyes shaded, confident, self-sufficient, may include a slight smile
  4. Comic: deliberately ridiculous, exaggerated, acting the fool, pulling faces for the benefit of a real or imaginary audience, sometimes close to archness
  5. Catalogue: neutral look, artificial, waxlike, eyes open wide, smile, look remains vacant, personality removed

Marjorie Ferguson - Male Gaze Facial Expressions

Marjorie Ferguson - Male Gaze Facial Expressions

Marjorie Ferguson (1980) identified four types of facial expression in the cover photos of British women’s magazines: 

  1. Chocolate Box: half or full-smile, lips together or slightly parted, teeth barely visible, full or three-quarter face to camera. Projected mood: blandly pleasing, warm bath warmth, where uniformity of features in their smooth perfection is devoid of uniqueness or of individuality.
  2. Invitational: emphasis on the eyes, mouth shut or with only a hint of a smile, head to one side or looking back to camera. Projected mood: suggestive of mischief or mystery, the hint of contact potential rather than sexual promise, the cover equivalent of advertising’s soft sell.
  3. Super-smiler: full face, wide open toothy smile, head thrust forward or chin thrown back, hair often wind-blown. Projected mood: aggressive, ‘look-at-me’ demanding, the hard sell, ‘big come-on’ approach.
  4. Romantic or Sexual: a fourth and more general classification devised to include  male and female ‘two-somes’; or the dreamy, heavy-lidded, unsmiling big-heads, or the overtly sensual or sexual. Projected moods: possible ‘available’ and definitely ‘available’. 

The Gaze - Male and Female


 

Saturday 27 September 2014

Dredd 3D (2012) Research


Dredd 3D (2012) Research

 
Director – Pete Travis (Who also directed Vantage Point (2008)

Producer – Alex Garland (Who was also the executive producer of Never Let Me Go (2010) and 28 Weeks Later (2007)

Green Light – Together with DNA Films, the movie production company behind such films as Danny Boyle's Sunshine and 28 Weeks Later, Judge Dredd went into production in 2009.

Script Writer – Alex Garland

Film Budget - $45 Million

Box Office Gross - $41 Million

Casting -

-          Karl Urban – Judge Dredd

-          Olivia Thirlby – Judge Anderson

-          Lena Headey – Ma-Ma

-          Wood Harris – Kay

-          Warrick Grier – Caleb

-          Rakie Ayola – Chief Judge

-          Langley Kirkwood- Judge Lex

-          Edwin Perry – Judge Alvarez

-          Karl Thaning – Judge Chan

-          Michele Levin – Judge Kaplan

Marketing -  

A 60 second trailer called ‘Addicted’ was created as a small insight to what the film has to offer.          
    



Additionally, an exclusive trailer has been released which shows more details into the characters and the plot of the film.




Lastly, a film poster was created to spread the message that the infamous Judge Dredd has returned to the big screen. This poster was displayed at cinemas and theatres that screened the film

 

Critical Reception – The film gained a 78% approval rating from 146 critics, with an average rating of 6.5 out of 10, on the review aggregation website Rotten Tomatoes, and Metacritic provides a score of 59 out of 100 which indicates "mixed or average" reviews—18 of the sampled critics gave the film a positive review, 7 mixed, and the remaining 4 negative.


Awards –

Empire Awards, UK (2013)

 
Won
Best 3D film
Nominated
Best science-fiction/fantasy
Best British film

 
 
Golden Trailer Awards (2013)

 

Won
Best Thriller TV Spot
Lionsgate
FishBowl
 
Nominated
Best Action TV Spot
Lionsgate
FishBowl
 
Best Graphics in a TV Spot
Lionsgate
Seismic Productions
 
Best Music TV Spot
Lionsgate
FishBowl
 
Most Original TV Spot
Lionsgate
AV Squad, The
 
Best Action Poster
Lionsgate
Ignition Creative
 
Most Original Poster
Lionsgate
Ignition Creative

 
IGN Summer Movie Awards (2012)

 

Nominated
Best comic book adaptation movie


 
Reasons for lack of success:

-          18 rated certification

-          Not a four quadrant film

-          Not popular actors/actresses

-          Not ‘British’ enough

-          Excessive violence

-          Few references to the storyline

-          Lack of interest in the character or the storyline

-          Lack of filming destinations


Technology

3D cameras - RED MX, SI2K and Phantom Flex high-speed cameras. Some 2D elements were converted to 3D in post-production.

Cape Town Film Studios created Mega-City One and its high rise towers. A helicopter camera was used to achieve aerial shots such as when the van rolls over after a hot pursuit at the beginning of the film. New rigs had been developed in order to obtain close-ups of the characters.


Tie-ins

Dredd was released on DVD, Blu-ray and Digital Download on 8 January 2013 in North America, and 14 January in the UK. The Blu-ray edition contains the 2D and 3D versions of the film and a digital copy. The DVD and Blu-ray editions contain seven featurettes: "Mega-City Masters: 35 Years of Judge Dredd", "Day of Chaos: The Visual Effects of Dredd 3D", "Dredd", "Dredd's Gear", "The 3rd Dimension", "Welcome to Peachtrees", and a "Dredd Motion Comic Prequel" narrated by Karl Urban.

Also, at the London Film and Comic Con in July 2012, Garland said that a North American gross of over $50 million for Dredd would make sequels possible and that he had plans for a trilogy of films. A second film would focus on the origins of Dredd and Mega-City One, and a third would introduce Dredd's nemeses, the undead Judge Death and his Dark Judges. In August 2012, Garland said that a Judge Dredd television series would be a positive future step for the series.

 
Personal Opinion

I personally did not enjoy the film because the film just primarily contained excessive violence that seemed to be pointless and aimless. Due to large amount of violence, there is very little details to the actual plot. It is only at the beginning when the audience can understand the plot, but then after that there is just killing after killing after killing.

However, I did find the editing to create the SLO-MO effects to show a fraction of beauty in a corrupt metropolis very interesting. I liked how the producer managed to create an element of the film that portrays gracefulness when the surroundings contain nothing but violence and crime.  

I personally did not think that the concept of bringing science-fiction into real life issues such as the drug heist proved effective. To me, it did not feel right to have an important character like Dredd become enter a blog of flats and defeat the antagonist. Also the finished product bears little relationship to the name being traded off.